Shot List
This is a shot list for my rough cut of 'Wolves' Selena Gomez, as you can see in the table below I have tried to group shots that are filmed in the same location together. I feel this is going to make my time management more efficient as I can film in bulk, which is something I have wished to develop, rather than one by one. Furthermore, this shot list may not be an exact representation of what shots appear in my rough cut, for example I may find during production that I want to film something else wen shooting. This means that new shots may appear, however I will try to stick to this shot list as closelyto it as I can.
|
Shot number
|
Shot type (use abbreviation)
|
Angle/cam movement
|
Description of action
|
Sound/dialogue
|
Location
|
|
1
|
Establishing
shot
|
Still
|
Shot
of under passing
|
Sound
of wind
|
Near
woods
|
|
2
|
Establishing
shot
|
Still
|
Crescent
moon between trees
|
Sound
of wind + wolf howling
|
In
woods 1
|
|
3
|
Establishing
shot
|
Still
|
Some
sort of flashing light- emergency service
|
Sound
of Wind
|
Wherever
emergency services are
|
|
4
|
Establishing
shot
|
Still
|
Restaurant
sign- symbolic of memories they had.
|
Sound
of wind
|
Restaurant
near home
|
|
5
|
Pan
Shot
|
Right
to Left
|
Woods,
start the audience in the woods
|
Sound
of wind into song
|
In
woods 1
|
|
6
|
CU
|
Still
|
Flames
of Fire
|
None
|
Home
|
|
7
|
ELS
|
Still
|
Sunrise,
signify start of relationship
|
None
|
Home
|
|
8
|
CU
|
Still
|
Couple
holding hands
|
None
|
Woods
1
|
|
9
|
ECU
|
Still
|
Shot
of eye very close up
|
None
|
Bedroom
|
|
10
|
ECU
|
Still
|
Camera
follows hand down neck
|
None
|
Bedroom
|
|
11
|
ECU
|
Still
|
Camera
follows from lips to eye
|
None
|
Bedroom
|
|
12
|
CU
|
Still
|
Wine
and Water mix
|
None
|
Kitchen
|
|
13
|
ECU
|
Still
|
Hands
run down neck
|
None
|
Shower
|
|
14
|
ECU
|
Shaky
|
Focusing
on colour of eye in shower- gives a wet look
|
None
|
Shower
|
|
15
|
ECU
|
Still
|
Eyes
behind downpour of shower
|
None
|
Shower
|
|
16
|
CU
|
Still
|
Water
running on shoulder
|
None
|
Shower
|
|
17
|
ECU
|
Left to right
|
Shot
of left eye to right eye
|
None
|
Shower
|
|
18
|
ECU
|
Still
|
Fingers
running through hair
|
None
|
Shower
|
|
19
|
ECU
|
Still
|
Eye
opens and looks into camera
|
None
|
Shower
|
|
20
|
CU
|
Still
|
Hands
run down top of leg
|
None
|
Bedroom
|
|
21
|
CU/Eye
level
|
Pan
|
Camera
traces up the leg
|
None
|
Bedroom
|
|
22
|
Zoom
in
|
Still
|
Camera
zooms into leg- loses focus
|
None
|
Bedroom
|
|
23
|
CU
|
Still
|
Hands
caress the arm
|
None
|
Bedroom
|
|
24
|
ECU
|
Still
|
Tear
falls from eye
|
None
|
Bedroom
|
|
25
|
CU/Pan
|
Still
|
Lights
on the ceiling-out of focus- gives star like effect
|
None
|
Bedroom
|
|
26
|
CU
|
Still
|
Hands
scratch neck- shows anger
|
None
|
Bedroom
|
|
27
|
CU
|
Still
|
Finger
is touching the tree- J+C- memory they had
|
None
|
Woods
2
|
|
28
|
POV
|
Still
|
Running
|
None
|
Woods
2
|
|
29
|
Tracking
shot
|
Slightly
Tilted
|
Hooded
character running into distance
|
None
|
Woods
2
|
|
30
|
Tracking
shot
|
Low
Angle
|
Blue
jeaned character running through woods
|
None
|
Woods
2
|
|
31
|
CU/ESL
|
Still
|
Blue
jeaned character running into distance- echo effect
|
None
|
Woods
2
|
|
32
|
Pan
shot
|
Still
|
Pan
around hooded character
|
None
|
Woods
2
|
|
32
|
Pan
shot
|
Still
|
Pan
around blue jeaned character
|
None
|
Woods
2
|
|
33
|
Tilt
shot
|
Tilted
angle
|
Shot
of hooded character running
|
None
|
Woods
2
|
|
34
|
Tilt
shot
|
Tilt
upwards from ground
|
Shot
of trees in the woods
|
None
|
Woods
2
|
|
35
|
LS/
Tilted angle
|
Still
|
None
|
Woods
2
|
|
|
36
|
CU
|
Slightly
angled
|
Blue
jeaned character jumping off of rock- symbolic of obstacles in relationship
|
None
|
Woods
2
|
|
37
|
Long
shot
|
Still
|
Shot
of two characters finally meeting- results in hug
|
None
|
Woods
2
|
|
38
|
Long
shot
|
Still
|
Hooded
character standing on stump- want to add some variation in shot type.
|
|
|
|
39
|
ECU
|
Still
|
Blue
jeaned character’s eye opening/closing
|
None
|
Wherever
|
|
40
|
High
angle shot
|
Still
|
Looking
at train tracks from bridge- using to represent suicide.
|
None
|
Train
Station
|
|
41
|
Long
shot
|
Still
|
Train
leaving station- will speed up- give effect of train killing him
|
None
|
Train
Station
|
|
42
|
ECU
|
Still
|
Will
film the time display at station- reverse it for a countdown- use for pace
build up
|
None
|
Train
Station
|
|
43
|
Long
shot
|
Still
|
Shot
of train tracks- will add variation in perspective when editing.
|
None
|
Train
station
|
|
44
|
Wide
shot
|
Still
|
Wide
shot of graveyard, symbolic of death.
|
None
|
Graveyard
|
|
45
|
POV
|
Still
|
POV
shot of Jace walking through graveyard- contrast to first POV where he is
running.
|
None
|
Graveyard
|
|
46
|
POV
|
Static
|
Jace
places a rose on Charlie’s grave- more personal in POV
|
None
|
Graveyard
|
|
47
|
ESL
|
Still
|
Shot
of the church- also an establishing shot
|
None
|
Graveyard
|
|
48
|
ECU
|
Still
|
Shot
of rose lying on the grave
|
None
|
Graveyard
|
|
49
|
Long
shot
|
Still
|
Shot
of group of graves- add variation in shots so not repetitive
|
None
|
Graveyard
|
|
50
|
Pan
shot
|
Still
|
Pan
shot of trees in the graveyard
|
None
|
Graveyard
|
|
51
|
ECU
|
Still
|
Will
film a variety of ECU of the moon to add variation, this may be done at
different times to get different lunar phases
|
None
|
Sky
|
|
52
|
Long
shots
|
Still
|
Shots
of dark alley ways near me- lyrical/camera synergy within the song.
|
None
|
Local
area
|
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